MusicTech April 2020

English | 134 pages | True PDF | 85 MB

在本期中：有关如何开始影视创作的专家指南，包括实用教程，行业洞察力和购买者指南。

这个问题我们要解决图片-确切地说，就是您的音乐。影视行业从来没有像今天这样在当代文化中占主导地位，随着每部新的Netflix必看和值得一看的戏剧，都需要同样致命的配乐。那就是你进来的地方。

用于电影和电视制作音乐的方法有很多，并且一次可以在世界各地进行数以百万计的项目，因此，尽管看似令人生畏，但事实是，如今，无论您喜欢哪种流派，音乐都会很可能与至少一位导演的理想完美融合。

在本期的主要专题中，我们提供了有关为屏幕创建音乐的大量实用指南。我们的配乐专家Jono Buchanan将引导您走过这个惊人的创造世界，并可能带您走上一条全新的道路，要么创建音乐以用于同步库，要么在屏幕上做出反应并向屏幕中写入内容。

也是这个问题，我们将带您了解低音的发展，并为您提供一些动手实践的指导，以使您自己的低端声音更丰富。我们与Stormzy的制片人Chris Andoh花了一些时间，聊了过去十年中最大的单曲之一Vossi Bop的制作，并聆听了FL Studio为什么是理想的污垢DAW。

我们还提供了通常涉及六个DAW的一系列教程内容，并且在我们的评论部分，我们陷入了NAMM遇到的一些令人惊奇的产品，包括Korg Wavestate，Audient Evo 4和Spitfire Audio的Albion Neo。希望您喜欢这个问题。
In this issue: expert guidance on how to start composing for film and TV, including practical tutorials, industry insight and buyer's guides.

This issue we’re heading to the pictures – or, rather, your music is. The film and television industries have never been as prominent a part of contemporary culture as they are today, and with each new Netflix must-watch and binge-worthy drama comes a need for an equally killer soundtrack. That’s where you come in.

There are many methods of making music for film and TV, and millions of projects going on around the world at any one time, so though it might seem a daunting prospect, the truth is that today, regardless of your preferred genre, your music will more than likely marry perfectly with at least one director’s vision.

In our lead feature this issue, we present a huge practical guide to creating music for the screen. Our soundtrack expert Jono Buchanan will guide you through this amazingly creative universe, and might just take your career down a whole new path, either creating music for sync libraries or reacting and writing to the scene on screen.

Also this issue, we take you through the evolution of bass and give you some hands-on guidance to making your own low-end sound richer. We spend some time with Stormzy’s producer Chris Andoh and chat about the making of one of the biggest tracks of the past decade, Vossi Bop, and hear why FL Studio is the ideal DAW for grime.

There’s also our usual range of tutorial content across six DAWs and, in our review section, we get stuck in to some of the amazing products we encountered at NAMM, including the Korg Wavestate, Audient Evo 4 and Spitfire Audio’s Albion Neo. I hope you enjoy this issue.

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